Perry Yung to South Africa for Season 1 of WARRIOR for Cinemax
Mathilde Ollivier to Los Angeles for Post on OVERLORD
Frank Harts to Los Angeles for Pilot Season
Peter Joback to NY for 30th anniversary of PHANTOM of the OPERA
Julianne Nicholson to Buenos Aires to shoot ISG
Giuseppe Ardizzone returns from Sundance MONSTERS AND MEN
…Julianne Nicholson, who plays Harding’s coach Diane Rawlinson, said that the experience of making the film made her reassess her preconceived notions about Harding’s character.
“I did feel more compassionate towards her,” she said in an interview with Refinery29. “I felt that she was dealt a raw deal from the time she was born. She didn’t have the skills to be in any other world aside from the one that she grew up, which was kind of no holds barred, take what’s yours by any means necessary. And when she was dropped in the real world, it didn’t make sense to her.”
IndieWire Write up of Where We Are Now:
Told with the full texture of real life, Julianne Nicholson’s second collaboration with “From Nowhere” filmmaker Matthew Newton is a close-up character study that explores notions of forgiveness and self-worth with surgical precision. It’s also a devastatingly authentic drama that’s as guarded and unforthcoming as its protagonist. The only thing we’re told about Nicholson’s character is that her name is Beth; everything else we’re left to sort out — or pry out — for ourselves. Eventually we learn that she’s been in jail for the last 10 years and is fighting for custody over her son, and the story of her legal case becomes a profoundly affecting portrait of sacrifice, redemption, and accepting the fact that the present is the only part of your life that you have the immediate power to change.
If there were any justice in this sick, sad world, history would remember 2017 as the year that people woke the hell up and stopped taking Julianne Nicholson for granted. There isn’t, and it won’t, but that shouldn’t stop us from giving America’s most under-appreciated screen actress the credit she’s been owed since the last century. Raw and intractably real in a number of small indies that you’ve probably never seen (“Tully,” “Flannel Pajamas”), just as good in a handful of larger films that you probably have (“Kinsey,” “August: Osage County”), and even better in three new movies that you’ll be able to see in the next few months (including “I, Tonya” and “Novitiate”), the elfin Massachusetts native may spend the brunt of her time working “Law & Order” gigs on TV, but she has an authenticity that bigger stars can’t buy and a range that Kim Jong-un would kill to achieve.